Thursday, February 14, 2019

Hamlet as the Complete Man :: Shakespeare Hamlet

small town as the Complete Man Tragedy, Shakespeare had come to see when he was writing Hamlet, is a kind of consecration of the common ele manpowerts of mans moral life. Shakespeare introduces the common man in Hamlet not for what we are apt to think of as his commonness except for this strange power however you care to name it that he possesses-we pay off used art, or virtue, or we might have borrowed from Henry crowd the individual vision of decency. In Tragedy there is no thirster a Chorus moving round the altar of a deity but if Proust is right the spectators are still participants in a talismanic ceremony. Perhaps I may put the aspect of Tragedy I wish to keep before you more clearly by draw on Professor Harbages study of Shakespeares ideal man. Collecting the approving references he finds that this ideal man is soldierly, scholarly, and honest. If these men seem to lack the larger noble-mindedness that is so common and abundant in our own generation, there is no suspicion that Shakespeares men will fail to back with their own genuflect their apparently modest programs. As Professor Harbage says All soldierly, scholarly, honest men are potential martyrs -you can substitute for martyrs tragic figures. Of that Shakespearean graphic symbol Hamlet is the ideal. Shakespeare had before him in Saxo and Belleforest what was presented as an ideal type. This type Shakespeare transformed. To what may be called the instinctive wisdom of antiquity and her heroic passions, represented so impressively by Hamlets father, Shakespeare has united the meditative wisdom of later ages in Hamlet himself. There is no surrender of the old pieties, and the idea of the dramatic event comes from the impact of new circum1stances upon the old forms of feeling and estimation there is a conflict between new exigencies and old pieties, that have somehow to be reconciled. The play dramatizes the perpetual struggle to which all civilization that is genui ne is doomed. To start up to its own ideals it has to place itself at a disadvantage with the art and treacherous. The problem Mr. Chandler (1) sets his hero is infinitely complicated in Hamlet-to be humane without loss of toughness. The hero must touch both extremes without one he is just brutal, lacking the other he is merely wet.

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